Welcome!
The purpose of this theatre blog is to promote what I’m doing (and what I think about what I’m doing)—and what you’re doing, if you care to share.
Friday, August 14, 2009
The Play's the Thing
I had some performances of my own plays recently, and also sang in a benefit performance with my lovely wife, Judy Rossignuolo-Rice. See my blog entry on VVRITERS.
Labels:
benefit,
music,
performance,
singing,
writing
Friday, May 8, 2009
Blogging Hiatus
Please read today's post on my Meta blog, which explains my recent absence from these pages.
Monday, February 23, 2009
If the Shoe Fits
My favorite audition story comes from opera. The call was early, and I decided on a whim (I was young and full of whimsy) not to do any vocal warm-up. I sang a full-throated aria and my voice cracked repeatedly (it was years before my high notes were secure). I was embarrassed, but still young—the humiliation lasted no more than a few minutes before I was on to the next adventure.
I got a call later that day for a costume fitting for the role. The costume fit. The gentleman they had chosen based on the audition did not fit the costume.
I got the part. It was not a major role, but it was most certainly a major respected opera company.
I love this story. I believe it captures the essence of the audition process, the sheer fate of it. You get a role because you’re lucky, regardless how talented you are, and regardless to the degree your talent is appreciated.
Most of the artists with whom I’ve shared this story, particularly my take on it, hate it.
I don’t mean to imply talent and study mean nothing—quite the opposite. I mean only that talent and study ensure nothing with respect to winning recognition.
Talent and study, art itself, is its own reward.
I got a call later that day for a costume fitting for the role. The costume fit. The gentleman they had chosen based on the audition did not fit the costume.
I got the part. It was not a major role, but it was most certainly a major respected opera company.
I love this story. I believe it captures the essence of the audition process, the sheer fate of it. You get a role because you’re lucky, regardless how talented you are, and regardless to the degree your talent is appreciated.
Most of the artists with whom I’ve shared this story, particularly my take on it, hate it.
I don’t mean to imply talent and study mean nothing—quite the opposite. I mean only that talent and study ensure nothing with respect to winning recognition.
Talent and study, art itself, is its own reward.
Friday, February 20, 2009
What an Audition Is
An audition is not a horserace. There’s no photo-finish.
An audition is a beauty contest. And beauty, we know, is in the eye of the beholder.
An audition is a beauty contest. And beauty, we know, is in the eye of the beholder.
Thursday, February 19, 2009
Audition Futility
It’s hard to audition and then not get chosen—it happens!
Seems to me one has to believe that auditioning is part of an actor’s work, as much as is performing. The audience is limited and the performance brief, but it counts for something. You learn something. You’re seen and may be remembered. The call may come far later than you expect.
Seems to me one has to believe that auditioning is part of an actor’s work, as much as is performing. The audience is limited and the performance brief, but it counts for something. You learn something. You’re seen and may be remembered. The call may come far later than you expect.
Wednesday, February 18, 2009
Questions You May Be Asked in an Audition – # 1
Q: What interested you in our season?
A: (select one)
a) Everything. Except “High School Musical,” of course, because there’s no part for me.
b) In what roles might you cast me?
c) Theater is my life. I can’t help but be interested.
A: (select one)
a) Everything. Except “High School Musical,” of course, because there’s no part for me.
b) In what roles might you cast me?
c) Theater is my life. I can’t help but be interested.
Tuesday, February 17, 2009
An Inveterate Actor
If I were many persons, one of them could devote his entire life, all his energies and love, all his creative powers, all his aspirations, and put all his values in the service of acting in theatre.
What lost, sorry soul he would be.
What lost, sorry soul he would be.
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